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Working with Nick Heim and Junction Road Pictures at NC State University

In February, 2013 North Carolina State University asked Nick Heim to produce a short recruiting film for their Bioengineering Training and Education Center, also known as BTEC.  Nick and I have worked together for about six years and he asked me to shoot and DP for his company, Junction Road Pictures.  We shot over two days in February in some really interesting and very high-tech labs.  Got to wear white coats and everything!

Nick Heim directing, as Dr. Acula

Nick Heim directing, as Dr. Acula

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Tony Holderfield wondering if long hair could get caught in the machinery…

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My little FS100 doing the job, makin’ pictures!

Bryan Hoffman assisted as gaffer and Tony Holderfield as key.  I shot with my FS100, and Aaron Bitkoffer recorded audio for us.

At the Hunt Library for New York’s Particle Productions

In the Design Lab at the Hunt Library

In the Design Lab at the Hunt Library

The Hunt Library on NC State University’s Centennial Campus is a truly amazing facility, a state-of-the-art library with few peers anywhere in the world.  It was designed from the ground up to be completely innovative, with every type of high-tech information system imaginable.  This is a shot we set up in a specialized studio created for multi-media design and interaction.

Particle Productions was tasked to produce a 10-minute film for the library’s dedication, and Particle’s Producer/Director Phillip Dolan asked me to DP and shoot the film.  We used two Sony FS100′s with Zeiss and Canon lenses, shooting to a cine-gamma picture profile developed by Able CineTech, which gave a nice, rich look while maximizing the latitude of the super-35-sized sensor.  We used a variety of techniques including time lapse, shot with a Canon 5D Mark II and a Canon D600, in addition to a dolly, a jib arm and a camera slider.

Susan Knutter, Senior Librarian and Visionary

Susan Knutter, Senior Librarian and Visionary

Former Governor James Hunt speaks about the library

Former Governor James Hunt speaks about the library

 

I used an interesting technique for the interviews.  I shot one camera on an MCU, locked off.  The other camera we mounted on a slider adjacent to the first camera and shot a tighter lens for a close up, and I kept that camera in slight motion.  I have’t seen interviews done quite like this, and the effect was very pleasant.

I shot the main camera on wide lens close to the talent. The reason for this was to bring in as much of the background as possible.  The Hunt Library is visually stunning, having been designed by the architectural firm Snohetta out of New York and Oslo.  Everywhere one looks is something to catch the eye, what I call a target-rich environment.

Shooting for New York's Particle Productions and the Hunt Library

Shooting for New York’s Particle Productions and the Hunt Library

Interview lighting was accomplished with several banks of KinoFlo’s, heavily diffused for a very natural look.  My friends Matt Moore, gaffer,and Tony Holderfield, key, handled the lighting, assisted by Adam Wamsley, who also shot much of the time lapse.  Rebecca Moore Gann coordinated the job assisted by Paul Kilpatrick as PA.  Brooks Lester and York Phelps handled audio, and Jordan Haywood came in for a day as camera assistant.  Thanks, everyone!

The film should debut in March.  I’ll post a link to it as soon as I have it.

On the job for Lizard Lick Towing

Standing by to pick up a shot for Lizard Lick Towing

Standing by to pick up a shot for Lizard Lick Towing

This was shot by a fellow cameraman, on location for Lizard Lick Towing.  I’ve done a few days for them recently, and it looks like I’ll be doing more in December.  It’s a good time, fun crew, good production staff, and lots of crazy things happening all the time.  Maybe it’s not the best cinematography I’ve ever done – I’ve been specifically told to avoid beauty-shots because they will never be used – so it’s pretty straight-up actuality coverage.  Still, good times! My thanks to my friend York Phelps, who is recording sound, for the recommendation!

Hang On St. Christopher!

This is a video a friend and I did a couple of years ago.  Just for the fun of it!  That’s me, in the red and black leathers.

Welcome To My New Home!

Playing with my new camera and Zacuto handheld rig

Playing with my new camera and Zacuto handheld rig

Hi, and welcome to my new home on the web.  Here you can find out who I am and what I do, view samples of my work, and get a lot of useful general information about me.  Please check back often, as I expect to be continually updating and adding more stuff.  Thanks!

Unwrapped – Food Network Segment

I shot this a couple of years ago for the Unwrapped show on Food Network.  It’s pretty straightforward coverage, but it was a lot of fun, crawling all over the pickle plant, and learning more than I ever wanted to know about pickles!

Mad House Segment

This is a segment of the Mad House TV series which I shot almost exclusively.  I shot and lit all of the interviews, most of the b-roll, and was one of two cameras on the two-camera segments.  This is a good example of my recent reality-show work.

Nooch Introduction

This is a thirty-second spot I shot and lit for Nooch in July 2012.  Nooch is a new way to send money using a smartphone.  It is a brand-new product and this is their first spot.  It was directed and produced by Nick Heim and his Junction Road Pictures.  I shot it with my Canon 5d Mark II and Canon lenses.  Nick edited it, and Brooks Lester recorded sound at the shoot.

The Rough South of Larry Brown

Feature-length film documentary directed by Emmy-Award winning director Gary Hawkins.  Other than the dramatic shorts within this doc, which were shot by other DP’s, I was the DP and cameraman for the doc, which won several awards from major festivals, including for best cinematography.

My House Is On Fire

This is a short film based on a short story by author and play-write Ariel Dorfman, directed by his son Rodrigo Dorfman.  The film offers a darkly poetic rendition of the world of two children of undocumented immigrants hiding in a safehouse somewhere in the southern US, when a visitor arrives.  The film won several major awards at international film festivals.  I was director of photography and cameraman for the film, which was shot on super16.  Here is a link to a site where the film may be purchased on DVD:  www.melloweb.com/myhouseisonfire